Frankfurt Antiquarian
Book Fair
(October 15th-19th 2008)

Pics
http://www.abooks.de/TF08/index.html
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GOYA 18 DISPARATES
December
20th 2008-16th January 6th 2009
The plates of the Proverbios were re-editioned 8 times after
the First Edition (1864), the last edition in 1937. The
exhibition presents the THIRD EDITION edited in 1891
Galleria Via
Claudia Augusta
Feltre
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Piazza Maggiore
Info
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Lucas van Leyden
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Venus
and Cupid
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Antonio Salamanca –
Aaron
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Annibale Carracci – The
Holy Family, 1590
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Stefano Della Bella - Death on the Battlefield, 1663)
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G.B. Frulli – Adam and Eve
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Marino Marini -
Horse ,
1953
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Marino Marini
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The Hanged
Man , 1946
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Livio Ceschin - Sottobosco
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This is not a large plate of Lucas van Leyden but a
small hight quality sheet. The paper, the watermark
and the impression are right! Here you can see a
real fresh proof of this print in which the
composition is
drawned with elegance .
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Salamanca was a print publisher but he was also an
artist of uncommon ability and
personality.
He was also competent as a printmaker. If you have
been in Parma and you have seen the Steccata frescos
of Parmigianino, you certainly remember the
monochrom with the prophet Aaron. We don’t know if
this print reproduces the fresco or just one of the
several
drawings with color that relate to
Parmigianino's Steccata frescoes. We just want to
tell you something about the impression strange
story of this print which has a high-key luminosity.
Click on the image for discovering more details
about the states.
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“Light and shade glide
over forms, creating glistening highlights, soft
transitions of grey, and pockets of velvety shadow.
The lines that define the distant landscape flicker
in a light-saturated atmosphere.” Richard Wallace
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The Death in this print has the elegance of a Diva and She moves
forward majestically. She looks like an apocalyptic
rider but she doesn’t strike fear into our heart.
Such a beautiful Della Bella printed work!
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The present print is an intimate charming image after a
Parmigianino’s drawing
of the Gini collection. Here we can use the term
“painter’s etching”. The extensive use of aquatint
produces fine tonal gradations and create the
peculiar charm of this striking work.
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There is a recurrent theme in Marino Marini’s works: it’s the
theme of the horse. This lithograph is a very simple
composition that is free of any descriptive detail.
Here we can only see the essential mythical quality
of the Asian and of the primitive statuary.
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“It would be correct to regard this as a Crucifixion, a theme
with an explicit allusion to the horrors of the war.
The victim outstretched arms are raised before a
naked, potbellied executioner wearing the classic
German helmet.” Mario de Micheli
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What do we have to say about Livio Ceschin etched works? His
ability in printmaking and his technical mastery is
demonstrated. We love the sound of silence and the
quiet of the countryside or the melancholy of a
beach in winter that we can see, synaestheticaly, in
these etchings from the Veneto…. land that we love.
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Hong Kong
International
Antiquarian Bookfair
Saturday January 17th
Monday January 19th, 2009 |
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